NEWS

Sonali’s Garden of Joy: John Oraon’s Documentary Illuminates Forgotten Struggles
Under the open sky of Sonali Tea Garden’s Bara Line, villagers gathered last Thursday evening for a moment unlike any other: the silver screen debut of Khun Pasina Jekar, Cha Bagan Ukar (Your sweat nurtures, the tea garden flourishes), a powerful documentary chronicling the untold story of Sonali’s workers and their fight for dignity. At the heart of this labour of love stands John Paul Oraon — a young Oraon tribal, field researcher, interviewer, and the soul of the film.
A proud alumnus of Don Bosco Oodlabari and the Department of Social Work at Salesian College (Autonomous), Siliguri, Oraon has become a voice for his people. His journey from the congested lanes of Sonali to crafting a film that now reverberates across the Dooars is nothing short of remarkable.
“Sonali’s story is my story,” John told the audience, his voice resonating with emotion. “Through this film, we show the world what happens when livelihoods vanish in a tea garden, but also how our community fought back.”
The 95-minute documentary dives into the dramatic history of Sonali Tea Garden’s closure on September 24, 1973 — a consequence of a conflict over festival bonuses — and the community’s unprecedented response. Within a year, on September 6, 1974, workers established a cooperative, marking a new milestone with progressive labour practices. In 1977, they distributed a 20% bonus and ensured equal wages, even before the Equal Remuneration Act was enacted in 1976 — a historic feat meticulously documented by Oraon.
As the field researcher, John unearthed oral histories, leafed through archival records, and captured fading memories, ensuring the authenticity of every frame. His sensitive interviews — particularly with figures like Mattu Oraon, former vice-chairman of the cooperative — brought raw emotion to the screen. During the premiere, Mattu’s tearful words, “We did it. Others can too,” moved many to silence.
The film, produced in Sadri and Kurukh, with subtitles planned in Bengali, Hindi, Nepali, and English, aims for broad accessibility. Directed by Dooars-based filmmaker and social activist Rupam Deb and assisted by Shard Mahali, the project champions the cooperative model as a lifeline for other closed tea gardens.
“This isn’t just a film,” said John, “It’s a call to action. A reminder that we can rise again.”
The documentary doesn’t just preserve memory; it offers a roadmap. One vivid recreation shows workers marching across the Teesta River to demand justice from the Jalpaiguri District Magistrate — a moment of resilience and resolve that defined a generation.
For John, this project is deeply personal. Formed by Don Bosco’s ethos of service and strengthened by his social work education, he views the film as a tribute to his ancestors. “Sonali’s blood and sweat built this garden,” he said. “I’m honoured to help tell its story.”
As the final credits rolled under the starlit sky, applause echoed through Bara Line. The villagers weren’t just watching a film — they were watching their lives, their legacy, and their dreams reflected on them.
John Oraon’s Khun Pasina Jekar is not just a documentary. It is a mirror, a monument, and a movement — born from the heart of Sonali and destined to inspire tea garden communities far beyond.